In the second part of his series, "Understanding Genesis: Adam, Eve, and the Fall," Bishop Barron shifts from the cosmic act of creation to the drama of human freedom. He explores why the "Garden of Eden" remains the most accurate psychological and theological map of the human condition.
Barron begins by describing Eden not just as a place, but as a condition of the soul.
Walking with God: In the "cool of the evening," Adam and Eve walk with God. This signifies a relationship of ease, trust, and "right praise" (orthodoxy).
The Permission: Barron emphasizes that God tells them to eat from all the trees. This represents God’s desire for human flourishing—art, science, friendship, and pleasure are all gifts intended for our joy.
This is often the most misunderstood part of the story. Barron clarifies what "eating of the tree" actually means:
Determining vs. Discovering: The "knowledge of good and evil" isn't about gaining information. In Hebrew, it refers to the prerogative to create or "legislate" what is right and wrong.
The Sin of Pride: The original sin is the attempt to make the "I" the center of the moral universe. Instead of discovering the moral law God built into reality, Adam and Eve try to invent it based on their own desires.
Barron highlights the "toxic" psychology of the serpent’s temptation.
The Lie: The serpent convinces Eve that God is a tyrant who is holding them back. "God knows that when you eat of it... you will be like gods."
The Result: Once they view God as a rival rather than a friend, they feel they must "grasp" at divinity. Barron contrasts this with Jesus (the "New Adam") in Philippians 2, who "did not deem equality with God something to be grasped" but emptied himself.
The "Fall" isn't just a punishment from outside; it’s an internal collapse.
Shame and Self-Consciousness: Upon sinning, they realize they are naked. Barron interprets this as a shift from outward-looking adoration to inward-looking anxiety. They become "curved in on themselves" (incurvatus in se).
The Blame Game: When confronted, Adam blames Eve (and God for making her), and Eve blames the serpent. This shows that when our relationship with God breaks, our relationships with others immediately become competitive and violent.
Barron points out a beautiful, often overlooked detail at the end of the story:
The Clothing: Even as God expels them from the garden for their own safety (so they don't "live forever" in a state of sin), He stops to make them leather garments.
Parental Care: Like a parent caring for a child who has made a mess, God provides for their dignity even in their fallen state. The "exile" is the beginning of Salvation History—God’s long-game plan to bring them back.
Key Takeaway: For Barron, the Fall is the story of how humanity traded the joy of being a creature for the burden of trying to be the Creator. Sin is not just "breaking a rule," but a "functional displacement" that throws the whole world out of sync.